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bola slot vip Javon Small scored 31 points to rally West Virginia to an 86-78 overtime upset of No. 3 Gonzaga in the opening round of the Battle 4 Atlantis tournament, Wednesday in Nassau, Bahamas. The Mountaineers (4-1) trailed by 10 points early in the second half and by five in the final minute. But over the final 19 seconds of regulation, Tucker DeVries scored five straight points to send the game to overtime. In the extra session, Small scored five points and West Virginia held Gonzaga to a single field goal, which came after the outcome was decided with 19 seconds left. Amani Hansberry added a career-high 19 points and eight rebounds for West Virginia, which advances to the semifinals Thursday against another surprise first-round winner, Louisville, which stunned No. 15 Indiana. Braden Huff scored 19 points and Khalif Battle added 16 points for Gonzaga (5-1) which settles for a consolation-round game Thursday against Indiana. Nolan Hickman tallied 13 points. Ryan Nembhard delivered seven points and 12 assists for the Bulldogs. Huff put Gonzaga in position to win when he made three hook shots in the final 2:34 of regulation as the Bulldogs turned a one-point deficit into a 69-66 lead. Two free throws by Nembhard expanded the lead to 71-66 with 25 seconds left. But DeVries followed with a 3-pointer from the top of the key and then made a mid-court steal and drew a foul with 5.9 seconds left. His two free throws sent it to overtime. The Mountaineers never trailed in overtime. Sencire Harris wrapped it up with a steal and a breakaway slam that put West Virginia up 84-76 with 26 seconds left. Battle, a transfer from Arkansas, scored eight points in a span of 90 seconds late in the first half as the Bulldogs took control on their way to a 39-31 lead at the break. Gonzaga earned its biggest lead early in the second half when Graham Ike scored inside with an assist from Nembhard to make it 43-33. But West Virginia responded with a 17-2 run, fueled by Small as he hit two 3-pointers and two layups. Hansberry drained a trey and DeVries grinded for a putback layup to give the Mountaineers a 50-45 lead with 12:26 left. DeVries finished the game with 16 points and four blocks. --Field Level MediaJEDDAH, Saudi Arabia (AP) — “My Driver and I” was supposed to be made in 2016, but was scuttled amid Saudi Arabia's decades-long cinema ban. Eight years later, the landscape for film in the kingdom looks much different — and the star of “My Driver and I” now has an award. Roula Dakheelallah was named the winner of the Chopard Emerging Saudi Talent award at the Red Sea International Film Festival on Thursday. The award — and the glitzy festival itself — is a sign of Saudi Arabia's commitment to shaping a new film industry. “My heart is attached to cinema and art; I have always dreamed of a moment like this,” Dakheelallah, who still works a 9-5 job, told The Associated Press before the awards ceremony. “I used to work in voluntary films and help my friends in the field, but this is my first big role in a film.” The reopening of cinemas in 2018 marked a cultural turning point for Saudi Arabia, an absolute monarchy that had instituted the ban 35 years before, under the influence of ultraconservative religious authorities. It has since invested heavily in a native film industry by building theaters and launching programs to support local filmmakers through grants and training. The Red Sea International Film Festival was launched just a year later, part of an attempt to expand Saudi influence into films, gaming, sports and other cultural fields. Activists have decried the investments as whitewashing the kingdom’s human rights record as it tightly controls speech and remains one of the world’s top executioners. With FIFA awarding the 2034 World Cup to Saudi Arabia this week, Lina al-Hathloul, a Saudi activist with the London-based rights group ALQST, said Crown Prince Mohammad bin Salman “has really managed to create this bubble where people only see entertainment and they don’t see the reality on the ground.” These efforts are part of Vision 2030, an ambitious reform plan unveiled in 2016 to ease the economy's dependence on oil. As part of it, Saudi Arabia plans to construct 350 cinemas with over 2,500 movie screens — by this past April, across 22 cities, it already had 66 cinemas showing movies from the local film industry, as well as Hollywood and Bollywood. (The Red Sea International Film Festival attracts a host of talent from the latter industries, with Viola Davis and Priyanka Chopra Jonas also picking up awards Thursday.) The country's General Entertainment Authority last month opened Al Hisn Studios on the outskirts of Riyadh. As one of the largest such production hubs in the Middle East, it not only includes several film studios but also a production village with workshops for carpentry, blacksmithing and fashion tailoring. “These facilities, when they exist, will stimulate filmmakers,” said Saudi actor Mohammed Elshehri. “Today, no writer or director has an excuse to imagine and say, ‘I cannot implement my imagination.’” The facilities are one part of the equation — the content itself is another. One of the major players in transforming Saudi filmmaking has been Telfaz11, a media company founded in 2011 that began as a YouTube channel and quickly became a trailblazer. Producing high-quality digital content such as short films, comedy sketches and series, Telfaz11 offered fresh perspectives on Saudi and regional issues. In 2020, Telfaz11 signed a partnership with Netflix to produce original content for the streaming giant. The result has been movies that demonstrate an evolution on the storytelling level, tackling topics that were once off-limits and sensitive to the public like secret nightlife in “Mandoob” (“Night Courier”) and changing social norms in “Naga.” “I think we tell our stories in a very simple way, and that’s what reaches the world,” Elshehri says of the changing shift. “When you tell your story in a natural way without any affectation, it will reach every person.” But the films were not without their critics, drawing mixed reaction. Social media discoursed ranged from pleasure that Saudi film were tackling such topics to anger over how the films reflected conservative society. As Hana Al-Omair, a Saudi writer and director, points out, there are still many stories left untold. “We certainly have a long time ahead of us before we can tell the Saudi narrative as it should be,” she said, acknowledging that there are still barriers and rampant censorship. “The Goat Life,” a Malayalam-language movie about an Indian man forced to work without pay in Saudi Arabia, is not available on Netflix's platform in the country. Movies that explore political topics or LGBTQ+ stories are essentially out of the question. Even “My Driver and I,” featured at the Red Sea festival alongside 11 other Saudi feature-length films, was initially too controversial. It centers on a Sudanese man in Jeddah, living away from his own daughter, who feels responsible for the girl he drives as her parents are absent. It was initially blocked from being made because of the relationship between the girl and the driver, filmmaker Ahd Kamel has said, even though it's not a romantic relationship. Now in 2024, the film is a success story — a symbol of the Saudi film industry's evolution as well as the growing role of women like Kamel behind the camera and Dakheelallah in front of it. “I see the change in Saudi cinema, a very beautiful change and it is moving at a wonderful speed. In my opinion, we do not need to rush,” Dakheelallah said. “We need to guide the truth of the artistic movement that is happening in Saudi Arabia.” Baraa Anwer, The Associated Press

A high-profile barrister who was cleared of misconduct over social media posts has called on the head of the Bar Standards Board to resign. Dr Charlotte Proudman, who specialises in family law, had faced a Bar Standards Board (BSB) disciplinary tribunal over a 14-part Twitter thread criticising a judge’s ruling over a domestic abuse case, saying it echoed a “boys’ club”. However, the five charges against the 36-year-old were dropped on Thursday. In an interview with The Times, Dr Proudman described the position of Mark Neale, the board’s director-general, as “untenable” and said its chairwoman, Kathryn Stone, should also stand down. “They need a change, not just in those two individuals, though, because, of course, it seeps down to the rest of the organisation,” she said. Barrister Charlotte Proudman arrives at a misconduct hearing in London accompanied by supporters (Stefan Rousseau/PA) However, she said that “under the current leadership, it’s just not going to be possible”. The charges alleged Dr Proudman had “failed to act with integrity” in posting the tweets, that they amounted to professional misconduct, were “misleading” and “inaccurately reflected the findings of the judge” in the case. The women’s rights campaigner was also accused of behaving in a way “which was likely to diminish the trust and confidence which the public placed in her and in the profession”, and that she “knowingly or recklessly misled or attempted to mislead the public” by making the posts. But panel chairman Nicholas Ainley found her tweets are protected under Article 10 of the Human Rights Act 1998 and the European Convention on Human Rights, which protects the right of freedom of expression. He said her tweets did not “gravely damage” the judiciary, which would “put them outside” of Article 10 protection, even if they “might not have been pleasant for any judge to read” or even “hurtful”. “We take the view that the judiciary of England and Wales is far more robust than that,” he said. The panel also concluded that some of the tweets were only inaccurate “to a minor degree” and not to the extent necessary for a charge of a lack of integrity. Speaking after the hearing, Dr Proudman told the PA news agency: “This ruling is a victory for women’s rights and a right to freedom of speech. “The prosecution against me brought by my regulatory body, the Bar Standards Board, should never have happened and I said that from day one. “I criticised a domestic abuse judgment. Everyone should have the right to do that, whether you’re a barrister or not. Our justice system, which I strongly believe in, is robust enough to withstand criticism from me.” She believes her tweets help “foster confidence” in the justice system, adding: “Only that way can we go about building change and a better treatment for all victims, women and children and men who are affected by domestic abuse.” Explaining that the BSB appears to have spent almost £40,000 “of barristers’ money” on instructing counsel in her case, she added: “I think it’s shameful that they’re using our money to pay for, in my view, malicious, vexatious prosecutions which I have no doubt was a personal attack against me as a woman and as a feminist, as an outspoken critic and advocate for women’s rights.” Dr Proudman called for “systemic change” within the board. “They don’t understand gender, they don’t understand diversity, I don’t think they’ve ever heard of the concept misogyny and certainly not institutional misogyny,” she said. “Until they recognise the deeply rooted, entrenched issue of bullying, harassment, sexism at the bar, for which I have suffered relentlessly... and own up to it I don’t think we’re going to see any change and I have no confidence in them.” She told of how male barristers have called her insulting names on social media and made derogatory comments about her. In the posts on April 6 2022, Dr Proudman referenced a case in which her client alleged she had been subjected to coercive and controlling behaviour by her husband, a part-time judge, meaning she had been “unable to freely enter” the couple’s “post-nuptial” financial agreement. Commenting on the ruling by Family Court judge Sir Jonathan Cohen, Dr Proudman wrote: “I represented Amanda Traharne. “She said she was coerced into signing a post-nuptial agreement by her husband (who is a part-time judge). I lost the case. “I do not accept the Judge’s reasoning. I will never accept the minimisation of domestic abuse.” She continued: “Demeaning the significance of domestic abuse has the affect of silencing victims and rendering perpetrators invisible. “This judgement has echoes of (t)he ‘boys club’ which still exists among men in powerful positions.” In the thread, Dr Proudman wrote that the judge had described the relationship of the couple as “tempestuous”, which she argued was a “trivialisation” of domestic abuse. “Tempestuous? Lose his temper? Isn’t this the trivialisation of domestic abuse & gendered language. This is not normal married life,” she wrote.Bathinda: Senior farmer leader Joginder Singh Ugrahan , who was active during the first farmers’ agitation and leads largest farmers’ group in Punjab, has accepted differences within the farmer forums, including SKM (Non-Political) and Kisan Mazdoor Morcha. Ugrahan said repeated calls for ‘Delhi Chalo’ were not right. The struggle for the MSP is bigger than making the govt repeal the farm laws, he said. Such struggles should be fought with a lot of planning, by taking everyone along. He also said Jagjit Singh Dallewal should have avoided fast unto death as they all knew that the central govt was anti-farmer. Ugrahan, however, stressed the need for unity among the farmer groups to achieve common goals. We also published the following articles recently 'Decided to sacrifice myself': Farmer leader Jagjit Singh Dallewal writes open letter to PM Modi as his fast unto death enters Day 17 Punjabi farmer leader Jagjit Singh Dallewal is on a hunger strike, demanding a legal guarantee for Minimum Support Price (MSP) and other farmer-centric issues. In an open letter to PM Modi, Dallewal highlighted the unfulfilled promises regarding MSP, referencing a 2011 letter by Modi himself advocating for MSP protection. Security tightened at Shambhu Border as farmers set to resume 'Dilli Chalo' march today Farmers renewed their 'Dilli Chalo' march for a 300th day, met with police barricades and tear gas at the Shambhu Border. They demand a legal guarantee for MSP and parliamentary discussion of their concerns. Farmer leader Sarwan Singh Pandher criticized the government's inaction and the security forces' aggressive tactics. Protests are also planned against BJP leaders' entry into Punjab. Haryana khap leaders respond to farmers march to Delhi: Demand unity among Punjab farmers Haryana's Khap leaders have expressed their willingness to join the farmers' protest march to Delhi, but only if the United Morcha (SKM) unites first. They criticized the internal divisions within Punjab farmer groups, hindering the movement's progress. Khaps also highlighted the lack of prior communication between Punjab and Haryana farmers and urged the government to fulfill its MSP promise.

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Georgia's Dasha Vidmanova, Columbia's Michael Zheng win NCAA singles titlesMiguel Tomley scores 28 to lead Weber State over Pepperdine 68-53 at Arizona Tip-Off

India ‘s connection with railways is deeply embedded in its history, dating back to the mid-19th century when the first train chugged from Mumbai to Thane in 1853. Since then, trains have become synonymous with the country’s vastness and diversity. From the bustling stations to the quiet, scenic routes through remote villages, trains have been a lifeline for people from all walks of life. However, as the Indian railway system evolved, it began to serve not just as a means of transportation but also as a canvas for showcasing luxury and heritage. In 1980, when Palace on Wheels was inaugurated, it made way for several other opulent trains in different parts of the country. South India was not left behind in this revolution, as the Golden Chariot became its first luxury train. Named after the famous stone chariot of Hampi, the train offers a glimpse into the region’s beauty while providing modern amenities to travelers. The Golden Chariot features guest carriages that are decorated with historical carvings and are named after the dynasties that ruled South India: Vijayanagar, Kadamba, Hoysala, Rastrakota, Ganga, Chalukya, Bhahamani, Adilshahi, Sangama, Shathavashna, and Yudukula. It has 40 cabins, including 13 double-beds, 26 twin-beds, and one specially designed for differently-abled guests, accommodating up to 80 passengers. Each cabin is adorned with furniture inspired by Hoysala and Mysore architecture, elegant drapery, and private washrooms. Smart TVs with Wi-Fi-enabled subscriptions cater to guests’ infotainment needs while safety measures like CCTV cameras and fire alarms enhance security. For relaxation guests can visit Arogya, a state-of-the-art spa with fitness facilities, or dine at the Golden Chariot’s fine-dining restaurants, Ruchi and Nalapak, which serve a mix of international and regional cuisines. The Golden Chariot offers two itineraries – The Pride of Karnataka (5 nights/6 days) package will start from Bengaluru to cover Bandipur, Mysore, Halebidu, Chikmagalur, Hampi, Goa and back to Bengaluru. This package is scheduled to start on December 14, 2024, January 4, February 1, and March 6, 2025. The second package is titled Jewels of South (5 nights/6 days) which will start from Bengaluru to cover Mysore, Kanchipuram, Mahabalipuram, Thanjavur, Chettinad, Cochin, Chertala, and back to Bengaluru. It is scheduled to start on December 21, 2024, and February 15, 2025. The fare of this luxurious train is a whopping Rs. 4.53 lakh per passenger, including meals, beverages, sightseeing, and guides. Would you travel on this train for this extravagant price tag? Comment below.Taller people have naturally much more leverage and proprioception than smaller people. The problem with weight classes is that they ignore skeletal mass. For example Conor McGregor was much taller than Jose Aldo when Aldo got defeated in 13 seconds. Likewise Khabib had a much wider upper body frame than McGregor when Khabib won their contest. Perhaps there's a more subjective element for putting similar sized contestants together. Maybe boxing partially bypasses the issue of height by prolonging the fights through softer hand gloves. MMA is a dangerous sport yet from a mental health perspective self-harm is tolerable. MMA isn't much more dangerous than other extreme sports like rock climbing. The aggressive symbolism of MMA isn't very helpful to law-and-order even though the same could be said about alcohol and social deprivation. Overall I support Conor McGregor in his enthusiasm for representing Ireland even if there are one or two question marks over the sport in general. Perhaps other Irish athletes in rugby or soccer are too media-shy in comparison to Mr. McGregor. Maybe athletes in team sports fail to take the initiative when it comes to representing their working class backgrounds in community activities. Conor's quick knockout of Aldo isn't too embarrassing for Aldo given that projectile warfare and gun duels can cause deaths in milliseconds. The way Conor McGregor’s career “kickstarted” in his late 20s was inspirational for older adults in other sports to keep working on reflexes. One way to distinguish combat sports from gladiator contests is that you could theoretically let the fight happen and wait until afterwards to jail and arrest them. What machismo forgets with mutual combat is that both parties might be so irrelevant that society can afford to arrest them where slight amorality can defeat immorality. Let's see when he is drooling and absent minded in his early 50s. Lumpy Talbot said: Let's see when he is drooling and absent minded in his early 50s. Click to expand... Perhaps one way McGregor resonates is with his temporary tension against his parents when he was opting to do a risky career in MMA instead of apprenticeships where they eventually reconciled after a few verbal confrontations. Paradoxically any physical pushing against his father toughened him up for his MMA career. This helps to explain celebrity worship syndrome where celebrities can be the exception that prove the rule as if our parents truly could be that negligent were truly destined to be a superstar!KTTA stock touches 52-week low at $2.87 amid market challenges

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